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                <text>Romance: based on a theme by Paganini</text>
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                <text>Violin solo with piano accompaniment score of Romance from the 1946 Gainsborough music film The Magic Bow, composed by Phil (Philip) Green and published by Chappell &amp; Co. Cover image shows Stewart Granger as Niccolò Paganini. </text>
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              <text>Josh Scott is a guitarist and electronics designer from Mississippi. Starting out by modifying and repairing guitar pedals for himself and friends he started JHS pedals in 2008. &#13;
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                <text>The Big Muff 2: A Lost Piece of Electro-Harmonix History </text>
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                <text>The lost Big Muff has finally come to life. After sitting untouched for nearly 50 years, Bob Myer’s forgotten dual Op-Amp Big Muff design has been rebuilt and released as the EHX Big Muff 2. A sharper, louder, more aggressive take on the classic Big Muff voice. The Big Muff 2 delivers a sharper edge, more volume, and the most pronounced low-end and midrange of any EHX Big Muff ever, staying true to Bob’s original hand-drawn 1977 schematic. This release is directly connected to the new 500+ page archival book Made On Earth For Rising Stars: The Electro-Harmonix Story, the definitive visual history of EHX created in collaboration with JHS Pedals, Third Man Books, and archivist Daniel Danger. The pedal and the book tell one story — the rediscovery and resurrection of a missing piece of EHX history.</text>
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                <text>&lt;p&gt;This exquisite book, a complex tale of love and antiquarianism and a prime document of the Renaissance rediscovery of classical antiquity, was produced by the important Venetian publisher Aldus Manutius (ca. 1450–1515). A specialist in the publication of Greek texts, Aldus was also famous for developing new formats, such as the small, handheld book, and new typefaces, such as the italic, the descendants of which are still in use today. The typeface used in the Hypnerotomachia Poliphili, based on ancient Roman inscriptions, was created by Aldus' type designer Francesco Griffo of Bologna especially for this book, which has long been admired for its harmonious marriage of text and image. The spare and elegant illustrations reveal a careful study of ancient art as well as an interest in the new science of one-point linear perspective. The beauty of these anonymous woodcuts has led scholars, through the years, to associate their design with such famous artists as Andrea Mantegna, Gentile Bellini, or the young Raphael.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Description derived from the &lt;a href="https://www.metmuseum.org/art/collection/search/365313#artwork-details"&gt;MET&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;</text>
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                <text>Open Access</text>
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                <text>Wilde and Douglas at Oxford in 1893</text>
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                <text>Oscar Wilde&#13;
obscenity trials - 19th century&#13;
obscenity trials - Great Britain&#13;
censored literature - Great Britain</text>
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                <text>A digitized photograph dated to 1893 depicting Oscar Wilde and Lord Alfred Douglas </text>
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                <text>Professor Douglas O. Linder</text>
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                <text>https://famous-trials.com/wilde/322-images </text>
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                <text>famous-trials.com</text>
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                <text>Copyright © 1995 - 2026 Professor Douglas O. Linder</text>
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                <text>Professor Douglas O. Linder, “Transcript of the Libel Trial Prosecuted by Oscar Wilde (April 3-5,1895),” Omeka, accessed April 12, 2026, https://omeka.ischool.utoronto.ca/admin/items/show/807.&#13;
&#13;
Oscar Wilde, “The Picture of Dorian Gray,” Omeka, accessed April 12, 2026, https://omeka.ischool.utoronto.ca/admin/items/show/805.</text>
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